Victor Meeussen was well-versed in art history. He did not regard photograph as art though, but as a means of communication and expression, as in borne out by his own work. He worked professionally as an industrial photographer, taking pictures of more... »
Victor Meeussen was well-versed in art history. He did not regard photograph as art though, but as a means of communication and expression, as in borne out by his own work. He worked professionally as an industrial photographer, taking pictures of people in his spare time. His method and conception may be seen in the contexts of human-interest photography and Subjective Photography.
After the war Meeussen set up in business as an independent photographer. For his most important client, Esso Nederland, he photographed virtually every aspect of the oil-processing industry. Many of these pictures were published in the company magazines Essofoon, Essobron and International Oilways. He also photographed the products and activities of concerns like Dutch Petroleum and KLM.
Meeussen's free work was exhibited at 'Subjective Photography 1' and 'Subjective Photography 2', organised by Otto Steinert. Here Meeussen emerges as a follower of Steinert, who advocated experimentation in form and technique with a view to pushing back the borders of photography. In his free work Meeussen, like his colleagues in the NFK, experimented with abstraction, light and blurred focus. « less...
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